This scene in the bottom register is very damaged, especially on the right-hand side. The height of the dado area below the register is about 50 cm, that of the register itself about 71 cm. On the left Usermaatrenakht, a son of Amenemope, is stepping forward, his right hand stretched out in front of him. In his left hand he is holding a censer at hip level. The censer is of a traditional style, the forward end of which takes the form of a cupped hand holding a bowl with burning incense.
Usermaatrenakht is wearing a long transparent pleated tunic and pleated loincloth. A leopard skin is draped over his shoulders. He has a short necklace consisting of a single band of pearls or beads (probably gold), and this is on top of a second broader necklace. In front of Usermaatrenakht is the following text, rendered in blue and red hieroglyphs, edged in black: [An offering which the king gives] […] a thousand loaves of bread, a thousand jars of beer, a thousand oxen, a thousand fowl, [a thousand of] incense, a thousand jars of oil, a thousand hetepet-offerings, a thousand provisions, [all things good and pure things which] heaven gi[ves] which the earth produces, which the inundation brings from [its cavern…] (the inundation depends on Khnum who, in his cave of Elephantine, likes his foot to be on its source) air and cool water for the ka of the Osiris, the god's father, beloved of (the God), master of the secrets in the sky, the land and the netherworld, [greatest of the Seers of Re] in Thebes, high priest of Mut, mistress of Isheru, third prophet of Amon-Re, king of the Gods, Amenemope, justified. Making a [funerary offer]ing [for] his father (and) his mother, [by] the high priest of Mut, Usermaatrenakht, justified".

This offering formula is directed to the seated couple (a man and his wife) whom Usermaatrenakht is facing. This part of the scene is particularly damaged. In it there is Amenemope, of whom little remains, but whose legs and feet are visible, which are resting on a footstool. In Amenemope’s left hand he is holding a long papyrus sceptre with a bloom at the top.
The person behind Amenemope is entirely missing. It is uncertain which of his wives is present as there is no text to help. But as the parents of Tamerit appear on this west wall this missing figure is almost certainly to be her.
Standing between the couple and their son an offering table with a single support can be seen. Under it is a beer vessel with a lotus stem winding round it (whose flower is open), as well as the often present tall lettuce.

This scene in the middle register is also badly damaged. In it Amenemope on the left faces the Pharaoh Ramesses III, and crown prince. Ramesses's identity can be determined from the upper part of two cartouches, and intervening text: "The hereditary prince, the royal scribe, chief overseer of the army, the king's son of his body, his beloved, Ramesses". There is virtually no trace of either Amenemope or Rameses III beyond what can be deduced by the shape of the now blank areas. 

The crown prince, whose head and torso are partially preserved, is sitting behind the king in a booth, of which fragments of the upper uraeus frieze and the top of a single column remain. Both the king and crown prince are facing to the left, but the image of the person they are looking towards, Amenemope, has been lost. The prince has a large wig, possibly together with a shebyu necklace on top of a usekh necklace. He is extending his right hand towards "The priest of Amon-Re, king of the gods, Amenemope, justified", the image of whom, as stated, has been completely lost.
There is a long very fragmented accompanying text which, because of its importance for the deceased, occupies a central place in the decoration of the tomb. It concerns the appointment of Amenemope to the position of priest of Amun. The reference to this post being held earlier by his father Tjanefer suggests that the appointment was likely to have taken place before year 27 of the reign of Ramesses III, probably at the time of the arrival in Thebes of the king and the hereditary prince on the occasion of the Opet festival. The fact that the prince Ramesses is shown acting as mediator between the king and his servant Amenemope would indicate the importance of the position which he had come to hold towards the end of his father's reign.

In the top register the decoration is totally lost except for some traces towards the right-hand end.

At the far north or right-hand end of the area illustrated the decoration is lost in the great fissure, which also extends into the ceiling and east wall. Blocks that were originally used to fill this crack have since disappeared taking the decoration along with them. It would appear, however, that the first 85 cm of wall had scenes distinct from those adjoining to the south, or left. To the left of the fissure (but on the far lower right of above, beyond the three seated males) the back of a woman can be distinguished, who is sitting on a high chair with a blue cushion. Not included in the illustration are a cone of ointment on top of her wig, and under her chair a scribal kit with a seated cat next to it. It appears the woman might have been in a scene by herself, as indicated by her size in relation to the two lower registers of the wall behind her.
The southern or left-hand end of this wall originally contained four registers, of which the upper one is lost through damage.

This bottom register is above the dado area. The dado itself is about 0.48 cm above the floor, reducing to 0.38cm above as it progresses to the south owing to the rising floor level. This lower register, which is about 0.55m in height, is separated from the dado by a 3 cm blue band edged with thin black lines.

The decoration features a sequence of seated figures having many attributes in common. (The first ten of these figures, before the imagery is lost, can be seen in ). Most of those still visible are men though at least three are women. In total probably some fifteen individuals were portrayed. The skin colour of the men is brown. The chairs, which have high headrests, were sometimes painted black to imitate ebony (only some of the men are seated on these more prestigious chairs) ; the remaining chairs have the colour of the surrounding plaster, white. None of the chairs have a cushion. All the men have an ointment cone on their heads, and a white headband fastened behind, with the long trailing ends hanging down their backs. The men are wearing sandals on their feet (though not the women), and all have their feet resting on a white footstool painted with a black motif. Underneath every seat there is either a closed bag (which by custom, although without proof, is said to contain scribes’ equipment, see ) or a large jar of ointment with a blue lower section a yellow upper band and a red domed top or lid (see ). All the men are dressed in the same way and each holds in his left hand a green sekhem sceptre and a folded cloth, while the right hand of each is extended, raised, in front of him. They each have a wig, blue with black streaks, extending down to their shoulders, and each has the short goatee beard of officials. All have a bead necklace worn over a broad collar consisting of six separately coloured bands. And each has around each wrist a large gold bracelet.

Only the first woman of the register, located in position six, is still visible to any degree, but it would seem that all the others would have resembled her. Her skin is pale yellow, her right arm is raised in the same manner as the men; her left arm is resting on her thigh, her hand clutching three lotus flowers, one with an open blossom and the other two closed. On her head, on her tripartite wig, which was originally painted black, she has (like the men) a perfume cone, together with a lotus flower bloom on her forehead. Around her head and wig she has a broad floral headband. The necklaces and bracelets she is wearing appear virtually identical to those of the men. Peeping out from under her wig a buckle earring can be seen. She is wearing an ample dress that reaches down to her ankles; it has wide sleeves that seem to be fastened below her breasts by a fringed shawl.

Starting from the right, the first four characters in the register are well preserved. Thereafter the artwork begins rapidly to deteriorate (see and ). In front of the first figure at the far right there is a table of offerings (see ) This has a single yellow table leg supporting a white tray decorated with diagonal red stripes. Had there been enough wall space, each of the figures present would have had his or her own such table. The accompanying texts reveal that the figures portrayed are the brothers and sisters of Amenemope, several of whom are already represented in the tomb of their father, Tjanefer, TT158. The texts in front of each, starting from the figure on the right, read:
• "His brother, divine father, beloved of (the God), master of the secrets in sky, the land and the netherworld, Stolist of Kamutef, fourth prophet of Amon, Amenhotep, justified." (stoliste = "Name of the Egyptian priest charged with everything which concerned the religious instruction and the choice of the victims.": Littré, 1880).
• "His brother, divine father, pure hands of Amon, sem-priest in the temple of Nebmaatre (Amenhotep III) , Usermontu, justified". [Usermontu is the same person as mentioned in connection with the tomb of ].
• "His brother, divine father, pure hands of Amon in Karnak, Amenemone, justified".
• "His brother, overseer of the cattle of the table of offerings of Amon, Bakenkhonsu, justified".
• "His brother, high priest of Mont, Lord of Thebes in Hermonthis, Djehutyhotep, justified".
• "His sister, chief of the musical troupe of Mont, Lord of Hermonthis, Ta (henut) pameter".
• "His brother, master of the taxes and controller of livestock in the domain of Usermaatre-meryamon (Ramesses III) , Bakenkhonsu, justified".
• "His sister, mistress of house, chantress of Amon, Henuttauy, justified".
• "His brother, divine father, [pure of hands] of Amon in Karnak, Penpare, justified".

Of the next character, all that exists are ends of the columns which indicate the name Amenem[…]. Four other figures followed but the representation of them has been almost totally lost. As previously indicated, the final part of this register is on the right-hand side of the south wall and it concludes the accompanying text:
• "The sister of his father, the chantress of Amon, Sheritre, justified.".

The second register is in a worse state than the bottom register. Extensive areas are lacking colours, and plaster has fallen away from the wall. This register contains a sequence of seated figures identical in appearance to those in the register below. However, here they are all seated on blue cushions. The principal difference is in the size of the table of offerings.
Usermaatrenakht is standing to the right of the table facing the assembly, and is making a libation and encensement (see ). He is wearing a large pleated garment fastened at the waist by a long sash, the end of which hangs in front of him forming a big triangular shape. His streaked wig ends in long fringes. In his left hand he is holding a smoking censer; with his right he is in the process of pouring water from a hes-vase.
The table of offerings is stacked high with provisions and lotus flowers. Beside it on the right on a tall stand there is a two-handled vessel. Under the table there is is a crock of beer on a low stand, and two tall lettuce plants either side of the table leg.
From the composition of the scene it could be assumed that Usermaatrenakht is making the offering to everyone in the long scene; however, the accompanying text names only the first person: "To make encensement and libation with bread, beer, cattle and waterfowl, all good and pure things, for the Osiris, the great priest of Amon-Re, king of the gods, Ramesses-nakht, justified […] of the domain of [Usermaatre-mery]amon, in the domain of Amon, Usermaatrenakht, justified".
The person to whom he is addressing this statement is designated thus: "The father of his wife, the prince, the count, father of the God, beloved of the God, the one over the secrets of the sky, the land and the netherworld, chief steward of the mansion of Usermare-Meryamun, in the […] on the west of Thebes, the high priest of Amon-Re king of the gods, Ramesses-nakht, justified". Of the figure in question, only his head, legs and part of the chair have survived.
The woman who is seated behind him is: "The mother of his wife, the mistress of the house, chief of the musical troupe of Amon [Adjedetat]". She is further distinguished by having, a monkey and a duck or goose under her chair.

The register continues with a sequence of figures of an older generation than those in the lower register, being the uncles and aunts of Amenemope.

The figure behind the first couple, Ramesses-nakht and Adjetat, is almost certainly a man, it being hard to tell because the image has almost completely disappeared. This person can, however, be seen to be holding a sceptre and a folded piece of cloth in the left hand. In the position behind is the woman identified as: "His sister, the mistress of the house, songstress of Amon in Karnak, Sakhmet, justified".

The man behind her, in the fifth position, is: "The brother of his father, the father of the god, pure of hands, overseer of the cattle of the offering table of Amon, Amenemope, justified", who is also to be found in tomb TT158 of his father, Tjanefer.

In sixth position is "The brother [of his father] […] of the mansion of Usermaatre-meryamon, in the domain of Amon, To, justified in peace". Behind him, nearly complete in seventh position, is his wife: "His sister, the mistress of house, the chief of the musical troop of Amon of Khenemet-Waset, Hutiay, justified".

In eighth position the next male figure is "The brother (-in-law) of his father, stable master of the residence, steward of the state of Khonsu, Nebsumenu, justified in peace". He is followed in ninth position by the almost completely disappeared representation of his wife: "His sister (wife) , whom he loves, the chantress of Amon[Ta]ynedjemet" This same woman is also found in tomb TT158 as the sister of Tjanefer; this would make her Amenemope’s aunt, and consequently Nebsumenu Amenemope’s uncle by marriage.

Next in sequence in tenth position is a maternal uncle, who is hardly visible: "The brother of his mother, the god's father of Amon, the collector of taxes, mayor in the Southern City (Thebes) , Amenmose, justified".

The following two representations are all but totally lost; however, surviving lower portions enable them to be identified as females.

As with the register below this one, this scene also continues on the south wall. The second of the two female figures, in position 12, is: "His father's sister, the chantress of Amon, Baketkhonsu, justified". She is not wearing a necklace of beads, just a broad collar. In her hand she is holding a sistrum as well as a bouquet. There is a monkey attached to the back leg of her chair.

The third register, which is 0.82m in height, is dedicated to four scenes in which Amenemope was rewarded by the king. The king is not present in person but rather as a statue.

This scene begins to the north, or to the right, where the image is lost but must have included a representation of Amenemope holding a censer, which is still visible. In front of him is a four-legged table, yellow in colour and outlined in brown. This is stacked with offerings: loaves of bread, cuts of meat, waterfowl and figs, and on the top are lotus blossoms.

To the left of the table there is a palanquin; this is positioned a low table-like platform. The side of the base of the palanquin is decorated with the representation of a lion. In front of the lion’s paw there is a small column with a closed papyrus capital. Attached to the palanquin, about half way up, is one of its two yellow carrying poles: this extends to either side. Above the image of the lion there is a frieze composed of uraei crowned with solar disks. Above the uraei, seated on a raised pedestal, are the images of Amon and Re. The upper part of the palanquin is embellished with the figure of a sphinx wearing the double crown with uraeus, and a royal beard.
In the palanquin is a statue of the pharaoh, Ramesses III, who appears to be standing. He is wearing the blue crown and uraeus. He has a necklace consisting of a single row of beads, as well as a pectoral above a large collar. In his left hand he is holding, at a slight angle, a long staff, while his right hand hangs loosely at his side.
Two anonymous goddesses are positioned behind him, enveloping him with their protective wings. They are wearing long wigs and headbands, each surmounted by a solar disk (?). Behind the goddesses is the long handle of a fan, the top of which is bending forwards above the pharaoh. The whole scene represents a cult image of the deified Ramesses III, who is identified by a cartouche in the text above the offering table. A better idea of the group represented here can be found in tomb TT16 of Panehesy (see photo).

In front of the king's face are the first five of fifteen columns of accompanying text (originally there may have been more). Behind the palanquin, separated by the columns 6,7 and 8 of the text, is the image of Amenemope, who has both arms raised in an attitude of jubilation. That Amenemope is portrayed on a different and larger scale to that of the pharaoh is explained by the fact that the king is represented as a cult image. Amenemope, without wig, is shown as having a shaven skull, and is featured wearing a gold shebyu necklace. In front of him, on pedestals, are gifts that he has received (among which are jewels and vases).
The remaining columns 9 to 15 of the text are positioned between Amenemope’s raised arms. The total text reads as follows: (cols.1-5) "Lord [of ceremonies] ([Usermare]-Mer[y-A]mon), the son of Re [powerful of years?] like Atum, (Ramesses, ruler of Heliopolis) [great] of provisions in the house of Mut, the ibib image [……] of Khaemwaset, justified. The fields having been given to him and ??? (cols.6-8) Amon has favoured you, Re has favoured you, one (= the King) saying: 'Dress yourself, take for yourself gold and silver in great quantity, anoint [yourself] with sweet moringa as an unguent.' The prophet of Amon, (cols.9-15) Amenemope said: 'One rich in property, who knows how to give, (is) Amon […] Pharaoh, L.P.H. (= life, prosperity and health) (is) my sunlight, great of love' ".

The second scene in the third register is based on the first in this register. Amenemope is again shown standing behind a representation of the pharaoh, who has his back to him. The king is standing within the palanquin the lower part of which is obscuring his legs. In his right hand held loosely at his side he is holding a mace while in his left he is holding the same staff as before, but vertically this time.
Some ten columns of text remain, though there might have been more. These state: "Year 27, beginning […] the king of Upper and Lower Egypt, Lord of the Two Lands, Usermaatre-Meryamon., the Son of Re.[Ra]messe[s] Ruler of Heliopolis. Who appears in perfection as ruler, lord of […], who makes appear […] Amon, king of the gods, has praised you, Re has favoured you, Ptah has favoured you, Pharaoh, L.P.H., has favoured you, the one […], the one (= the king) saying: 'Anoint yourself with [oil ?…], with gold and silver, […] the chief steward […]"; the rest is lost.

On the right-hand side of the scene there is a bundle of papyrus plants above a well-laden four-legged table of offerings similar to the one of scene 1; there is also a pedestal with a vase, which can be perceived more clearly in Scene 1 above.
Replacing the palanquin there is a major representation of the top of a sistrum, featuring a large Hathor-style head. This Hathor head is surmounted by a modius; on this there is a shrine containing a uraeus capped with a solar disk.
To the left of the Hathor head feature there is another table; this bears more gifts, one of which is a broad collar. Finally, on the far left is a man (Amenemope) facing to the right with his arms raised in front of him, again in worship. The accompanying text is lost.

Then, on the south wall, Amenemope is found, his two arms again raised in a sign of jubilation. Around his shaven head there is a white headband. He is wearing a large kilt with a wide front-piece covered with a fine over-garment. He has sandals on his feet. In front of him some gifts have been arranged on a tray on a high pedestal, which has a floral garland around it. The gifts include a broad collar, bowls and jars. Displayed around Amenemope there is a text is in seven columns that reads: "[…] the priest of Amon, [Amenemo]pe, justified: 'Many are the things which Pharaoh, L.P.H., (my) sun [knows] to give! May your father [A]mon, [Lord] of neheh and djet eternity, give to you […]. You are the great

(= the traditional enemies of Egypt) , being united under your sandals, as well as any opposition!".

As already stated, a fourth register existed above the first three, but it is totally lost.

As with all of the whole of the north wing of the longitudinal chamber, the northern west wall is poorly preserved.
The lowest register is the counterpart of that found on the other side of the doorway (i.e. the west wall, south side) featuring seated figures. It is a pity that nearly all of names of these individuals are lost, because they would have permitted a widening of the genealogy of this significant family. Registers 2 and 3 were decorated with scenes of royal reward.
Register 4, unlike its equivalent on the south side of this wall, has survived, and provides scenes showing Amenemope praying to a deity.

The bottom register is about 0.58m in height. The dado beneath it is 0.48m high, though less at the northern end where it is next to the statue there. At about 1.68m from the entrance to the longitudinal chamber, this end of the chamber also narrows, corresponding to the narrowing in its southern counterpart. Nevertheless the theme of the decoration continues without modification despite this physical alteration in the wall’s surface. Four groups of characters can be distinguished. Colouring for these is however, almost totally absent.

The first group
This first group of figures starts at the edge of the door frame and continues to about 65 cm beyond the point where the step-out in the wall surface narrows this end of the chamber. On the left, facing to the right, are a seated couple. Under the man’s chair there is a scribe’s palette; and under the woman’s chair, tethered to the back leg, there is a monkey. Both the figures are seated facing a table of offerings and jars on pedestals. On the other side of the table are three men, also sitting down. The text, which is very fragmentary, suggests that the first male seated figure in the group on the right is Tjanefer, who is opposite his father Amenhotep in the pair on the left. The woman on the left would consequently be Henutmeter, Amenhotep’s wife.

The second group
The second group of figures, depicted on the bottom register of the west wall, north side, shows two seated women facing to the left. However, nothing remains of the object of their gaze. Only the lower portion of the two women's images and their chairs have survived.

The third group
This scene features 10 people (see ). On the left a seated couple, now anonymous, face to the right. A table of offerings and jars on pedestals separate them from another seated pair facing them. Behind this second couple is a woman standing, and five more seated figures, all of whom are facing to the left. The first of this group of five is actually positioned alongside the standing woman, her image overlapping the knees of this person. Behind these two is another stack of offerings followed by the final four seated figures.

The fourth group
The fourth group in the bottom register begins with two standing men on the left, who are turned towards the right (see the far right portion of ). Directly in front of this pair there is a large fissure, in the corner where the west wall meets the north or end wall. Beside of the right leg of the man in front is what can perhaps be identified as the end of the tail of a leopard skin, and if so this would identify him a sem-priest. Should this interpretation be correct then these two figures would be unlikely to belong to the theme of the preceding scenes, but more probably be part of the scene that continues on the adjoining face of the north wall. There the scene includes a round-topped stele in front of which a female figure is standing together with another squatting down in front of her (see ). What is depicted might be part of a ritual conducted in the courtyard of the tomb, such as the "Opening of the Mouth".

Because of the loss of the line separating the lower middle register on north side of the west wall from the register above it, the height of this lower middle register can only be estimated as being about 68 cm. The decoration remaining in this register is very fragmentary, yet it is possible to determine that what was being depicted was a new royal reward situation, and as such this would have taken place in "Year 2 of the king of Upper and Lower Egypt, Hekamaatre Setepenre (Ramesses V) ". As only a few details have survived in this register there is little point in attempting a detailed analysis of it here.

The upper middle register of the west wall, northern end of the longitudinal chamber, measures about 0.75m in height. The meagre remains of decoration nevertheless enable the scene to be identified as another of reward, and one in which the pharaoh seems to appear twice. At the far left the king is shown seated in a kiosk or booth, facing to the right. He is wearing an atef-crown with rams horns at the base, and is holding, crossed over his chest, the crook and flail emblems. Two cartouches in front of his crown are badly damaged, the first being totally unreadable but the second retains traces of the name Ramesses.
In the other image of the pharaoh, on the right-hand side of the scene, he is depicted looking to the left, and wearing the blue crown and holding a flowering papyrus staff. In front of him, and facing him, are the faint remnants of another male figure. Above this part of the scene there is a text of perhaps some fourteen columns, of which only four, close to the beginning, are readable: "… the Pharaoh, L.P.H., does your lord, let you be brought to him, that you may carry out all the […] of Phar (aoh), your lord, you […]". While the rest of the text is too fragmentary to be read, it is clear enough to reveal that this is a rewarding text of the type used for the high priest Amenhotep at Karnak.

This measures 0.73m in height. It features a religious scene showing Amenemope praying to a deity: "Osiris-Khentyimentet Wenennefer, Ruler of the Living, the great god who is in Abydos".

This top register scene is close to the doorway. On the left-hand side of the scene a shrine is depicted, which contains a representation of the fetish of Abydos at the top of a pole (see detail). The two tall feathers of the fetish extend above the top of the shrine, at the corners of which, to the left and right, is an udjet eye. In front of the shrine there is a table piled high with offerings. Nearby are fifteen columns of text.
Then at the extreme right of the scene there are traces of a representation of Amenemope with his arms raised in worship. The text mentioned is written in dark blue, light blue and red hieroglyphs: "Praising Osiris, Wennefer, foremost of the West, [Lord] of Eternity, Ruler of the Living. Words spoken by [the prie]st [of] Amon, [Amenemope], [……] son of Nut, be[hold…] praises you, Hapy [gives?] to […] praises you […] your temple, every god at your gate? when you sit [judging?…] your enemies? [the Two Lands to] its limit are in joy when they see the appearances of this god, son of [Geb], whom Nut created. Your father, Shu, your mother, Tefnut, who love you, your mother, Nut, who praises you, Hathor ??? with? all the righteous of every land? for the Osiris, Priest of Amon, Amenemope, justified, on this beautiful day. Praising Osiris: 'Praise to you Osiris. Very great […] who is in Busiris! May you grant that I may see the sun at (its) appearing like every justified one.' For the ka of the Osiris, priest of Amon-Re king of the Gods, Amenemope, justified]".

To the right of the scene described, the chamber narrows by 2-3 cm (this is at the start of the northern end of the chamber, where there is a single statue in the middle of the far wall). The following 1.25m section of the wall has lost its plaster together with any trace of decoration. Also in this area there is the great 2.30m fissure, which actually runs right through the mountain, of which the infill repair blocks here have disappeared.

The far northern or right-hand end of the register includes, here once again, a scene showing Amenemope turned to the left and praying in front of a deity, the image of which is now lost (see ). The beginning of the accompanying text is completely gone: "[…] [I have fought for] you. I am one of those gods of the [coun]cil who justified Osiris over against [his] enemies [on] that day of judgement in the great mansion of the Prince, which is in Heliopolis. I am a Busirite, [son of a Busirite, who was conceived] in Busiris, who was born in Busiris, who was with the mourners of Osiris, who mour[ned] over Osiris on the shores of the washermen. 'Osiris is justified over against

.