At each end of the transverse chamber there is a statue. While the one at the southern end is a double statue, at the northern end there is a single figure only (to view it in context, see ). This statue is very damaged, especially below the waist. It was carved from the poorer quality rock of the gebel area, and must have been plastered over before the colour was applied. It represents a man, probably Amenemope, on a high-backed chair; the chair is set on a low platform that protrudes into the chamber. The top of the statue almost touches the ceiling. Amenemope is wearing a wig coming down to his shoulders, and he also has a necklace. His arms are missing, but it can be seen that his hands were placed on his thighs.
As already stated when dealing with the adjoining part of the west wall, the wall area to the west or left of the statue forms the end part of the scene depicted on that wall.
Most of the wall decoration here is lost, but at the bottom it is possible to make out the legs of what appears to be a standing female figure, and another seated figure at her feet, both facing to the left (see ). Behind these two images there is a round-topped stele. This group, together with the section on the west wall that includes two men who face them, could together be part of a ritual such as the "Opening of the Mouth", conducted in the courtyard at the tomb entrance.

Just to the right of the entrance to the transverse chamber, as elsewhere in the tomb, the decoration has been carved right through the thin layer of plaster — most of which is now lost — and into the rock surface below. In places, sections of poor rock have been replaced with sandstone to provide a better surface. However, this replacement material has fallen away leaving large gaps. Very little of the paint work survives. The bottom dado area of this section of the wall is 53 cm in height.

It features a large representation of a couple: these are positioned next to the entrance and are turned towards the right, and so facing the entrance. Most likely they represent Amenemope and his wife, Tamerit. These images, once of high quality, are almost completely lost. The deceased, Amenemope, is wearing a leopard skin over a long garment with a finely pleated sash. They were probably pictured adoring the solar deity, with the text of the hymn, which they would have been reciting, inscribed in front of them.

In the upper register of this east wall section the plaster has almost completely gone and consequently what remains of the decoration is only the small portion that had been engraved through into the rock below. At the left-hand end of the scene there is what is left of a pavilion, with its uraeus frieze on the roof together with the capital of the front supporting column. This had to be shelter for a divinity, probably Re, since he is named in the accompanying text: "[Adoring?] Re when he shines in [… by the priest of Amon, Amenemope, just]ified".Nothing can be described about the right-hand side of the decoration of this section of wall, where all that can be seen now are a few hieroglyphic signs in fragmentary columns.

The lower register of the east wall in the transverse chamber measures 0.59m in height. It continues round the end corner and onto the north wall up to the statue. The bottom of this register is marked with a single thick black line. The decorative theme here is the same as on the other bottom registers in the chamber. Once again the relatives of the deceased couple are behind one another, mainly seated.
The first 1.80m of the register, to the right, is almost totally lost. The representations do not have anything original about them, and accompanying texts are for the most part lost. The one exception is a mention of the god Montu above the last two figures (located on the north wall) : these are a man and a woman who must, therefore, have served in this god's temple in Hermonthis (Armant).

In the continuation of the scene, between the statue and the north-east corner, the register contains images of three seated men, all facing to the right. In front of the first (that is the one on the right) there is a single-legged table bearing offerings. The second figure, according to the text above him, had some rôle in Hermonthis, in the temple of Montu. The man at the back is of particular interest as he is shown differently from all the others. He has no wig and is wearing the garb of a vizier; he is also sitting on a stool rather than on a chair. The text above him identifies him as: "His father, the prince, the count, the divine father, beloved of the God, overseer of the city and vizier, Usermontu, justified".
Usermontu was a vizier who served under Tutankhamun, therefore at the end of the 18th dynasty, about 180 years before this period.He too came from Hermonthis/Armant, just as did the brother-in-law of Amenemope, Djehoutyhotep. The expression "his father" in the text above him is not to be misunderstood. It refers to a distant relative of the deceased Amenemope, perhaps even a relation by marriage: someone prestigious, who had not been subject to persecution even though he had served under Tutankhamun. This vizier Usermontu is mentioned in two other Ramesside tombs, TT31 and TT324.
belongs to Khonsu, grandson of Usermontu, who was the high priest of the Thutmosis III divine cult. Usermontu is represented there together with his brother Huy (also a priest of Montu) making a libation and encensement on the barque of Montu (see ). Tomb TT324 belongs to another high priest of Montu, Hattiay. In it Usermontu is shown in front of another vizier whose identity is uncertain.

It is possible that two registers existed on the east wall of the transverse chamber, north end. On the right upper part, a divinity remained seated. The text alludes to a solar divinity, perhaps Atum. In a pavilion behind there was another standing divinity, facing a representation of the deceased Amenemope.

Above the entrance doorway, as on the main section of the east wall to the north, sections of poor rock had been replaced with sandstone to provide a better surface. The replacement pieces have long gone, causing much of the lintel above the entrance doorway also to be lost. The frieze running along the top of the other walls has been replaced here with a scene of Amenemope wearing his leopard skin, adoring Re-Harakhte. However, all that remains of this image are fragments of Amenemope’s raised arms and paws of his leopard skin garment. In front of him there is a floral arrangement: only the top has survived. An accompanying ten-column text states: "Giving praise to Harakhte, when he sets in […] and Hathor, mistress of the Sacred Land, that they may grant […] libations, incense, all good and pure things, on which a god lives; for the ka of the Osiris, Amenemope, justified".
Further to the right, above a flail, the god image is identified as "[…] Harakhte, the great god who illumines […]".

The frieze runs along the entire upper part of the registers, except above the entry, and as far as the top of the heads of the statuary elements at each end of the transverse chamber. The frieze is made up of three elements each separated by an identical column of text: "The Osiris, priest of Amon, Amenemope, justified". The individual elements are:
- a Hathor head crowned with a sistrum, above a grid pattern in the form of the hieroglyph spA.t (= nome)
- three khaker-emblems each surmounted by a solar disk
- the god Anubis as a jackal resting attentively on a sarcophagus, a scarf around his neck, a sekhem-sceptre in front of him, and an udjat-eye above his back.

The ceiling was covered with a fine pink plaster layer. The areas that have deteriorated the least are at the north-west and south-west ends of the transverse chamber. Once there were three decorative registers each of the same height. On the central register, on a dark blue base, there is a south-facing procession of divinities (of those still existing today all are male), their heads all turned to the west. They are mainly depicted in red, with a little yellow on their kilts. Above them there were inscriptions also painted red: these probably identified them but are now too fragmentary to be read. The registers to each side are multicoloured, with three scenes showing a divinity in a boat with the deceased Amenemope opposite. These scenes clearly represent the hours of the sun-god's journey across the heavens, as indicated in what little there is left of the texts.

The east-facing doorway giving access to the longitudinal chamber from the transverse chamber includes a lintel and well-defined doorposts; very little, however, has survived of the accompanying text. A 6 cm step marks the threshold, wider at the centre of the opening than at the sides. A door once closed this entranceway on the interior (or transverse chamber) side of the doorstep, the hinges for this door being to the north-east.

The lintel scene included a double representation of Amenemope adoring divinities, probably with Osiris on the right. Almost certainly it is Horakhty on the left as he is named in what remains of four columns of accompanying text: "[…] Horakhty, lord of the gods, […] at his daily rising […]".

There are four columns of text, measuring 1.80m in height. These include fragments of offering formulae of the classic "hetep di nesu" type, for the benefit of Amenemope.

Almost nothing remains.

The actual passageway leading from the transverse to the longitudinal chamber is 2.16m long, and 2.42m in height. Its walls, floor and ceiling have suffered seriously from the continuation of the large fissure already mentioned.

was extensively rebuilt with blocks of sandstone, which have subsequently disappeared. A fragment of text in raised relief remains: "Praise of Amon-Re the morning, by the Osiris, the priest of Amon, Amenemope […]".

This includes two registers, 0.88m in height, . The decoration was oriented westward, into the next chamber, however, the surface is poorly preserved, no detail is now discernible.