This is the left-hand end wall on entering the transverse chamber. It has an approximate width of 1.5 metres and a height of just less than 2 metres. Its outer edges slope inwards towards the top, even more on the left than on the right. The bottom dado area, of about 0.2 metres, is undecorated and no colour bands separate it from the painted image area above. The two sides and top of the imagery have been completed fully with the before mentioned coloured border band and edged vertically with the chain or leopard tail design on a black background (see ). These are also the corners where there is a separating vertical blue band. This wall, unlike the one opposite, has a kheker frieze at the top.

The imagery of this wall is effectively divided into two parts. The upper area being that of a false door with three kneeling men on either side, with offerings for the deceased. Below this area is a scene of a large pile of offerings at its centre, on each side of which are two characters.

At the centre is the most important element in an Egyptian tomb, that of a magnificent stela, containing at its centre the false door, the connection with the world of the dead, which allowed the deceased to pass from that world and again return. It is only a painted design, not sculpted, created to imitate pink-granite and the hieroglyphs are painted in a dark blue-green colour. It is of a very common design found elsewhere and consists of several elements. At the top is a painted cavetto cornice supported by four sets of text (two on each side) which start at top centre and extend down the sides. These enclose the inner false door with an images of Nakht and Tawy seated in front of an offering table at the top. Immediately below this is a pair of udjat-eyes of the sun-god, separated by a shen-ring, a nun-dish and the hieroglyphic sign for water. Then, at its lower centre is the actual narrow doorway with two columns of text on either side. The whole structure is shown as resting on a limestone plinth, representing the offering table which normally have been placed on the floor, at the base, and in some tombs appears as such.

Although pictured with Tawy sitting behind Nakht, this was the ancient Egyptian artistic way of showing them sitting site by side. The offerings are placed in front of them, on a table supported by a single column.
This scene and its inscriptions are now scarcely visible, as can be seen opposite. When first discovered the text, in several columns at the top of the scene, was still readable and was recorded by Maspero as "All manner of things which appear on the altars of the Lords of Eternity as daily dues for the ka of [……] Nakht.". Of the damage to the text, only the area to the left would have contained the name Amon; the other area is probably due to other factors.

Situated in four columns, two either side of the narrow door, these contain reference to Nakht being "revered" before the four children of Horus (see the about them).
Only the two on the left now fully remain, and are as follows: (on the far left) "Revered by Qebehsenuef, the Osiris, the scribe, Nakht", (inner left) "Revered by Amseti, the Osiris, the serving-priest, Nakht".
On the right: (inner) "Revered by Hapy, the Osiris, the scribe, Nakht", the outer right one is almost completely lost: "Revered [by Duamutef, the Osiris, the serving-priest, ] Nakht".

Located one inside the other, they all start at the centre top and precede down either side. Those on the right have suffered damage at the bottom of the texts, possibly due to the removal of the name of Amon, whereas on its occurrence at the end of the outer left-hand text has created only a slight damage.

The outer one on the left states: "A gracious burial grant (previously translated as "An offer which the king gives") of Harakhti. He grants a sight of his beauty daily and a walk abroad to see the sun just as when on earth. For the ka of the serving-priest [of Amon, the scribe, Nakht, justified.]".

The outer right hand, states: "A gracious burial grant of Osiris Wennefer, the great god, Lord of Abydos. He grants entrance and exit into the necropolis and that the soul (ba) is not repelled from its desire. For the ka of [the serving-priest of Amon, the scribe, Nakht, ] justified.". Note that the "justified" is visible.

The inner left one states: "A gracious burial grant of Anubis, keeper of the shrine of the god. He grants glory in heaven with Re, well-being on earth with Geb, and victory in the western land with Wennefer. For the ka of the serving-priest, Nakht.". Note that due to the lack of space, the name of Amon was not included, neither has the word "justified", at the end.

Finally, the one of the inner right states: "A gracious burial grant of Amon, head of the sacred (places), the great god, chieftain of Thebes. He grants a passage across to Karnak, to provide food every day. For the ka of [the serving-priest of Amon, the scribe, Nakht, justified.]". Because of the damage at the end of this text, it is uncertain whether "Amon" or "justified" were included. Note that the occurrence, at the beginning, of the name Amon has not been destroyed; obviously an oversight.

These are symmetrically and individually portrayed either side of the false door stela, three on either side. Each is accompanied by his own inscription describing his offering. They are all dressed in a white kilt and kneel on one leg, the one nearest to the viewer.

The topmost pair show individually the presentation of rations (which are not individually identified) and a jug of beer, but both bring three stems of papyrus and the clusters of grapes. Respectively (left then right) they are labelled "Giving offerings of the god, to the scribe Nakht" and "Giving beer to the scribe Nakht".

The ones in the middle both bring cups and the texts state: "Giving a goblet of water for the ka of the Osiris, the serving-priest [of Amon], the scribe Nakht, justified. You are pure, (as) Horus is pure" and "The gift of a cup of wine to the Osiris, the serving-priest [of Amon], the scribe Nakht. You are pure, as Seth is pure".

The lower pair both bring a bouquet of flowers, which hang from a hand holding a tray. Whilst the one on the left also brings three stems of papyrus. The text identifies what each bring on their tray. On the left: "Giving ointment of green colour and black for the (eye) lids of the scribe Nakht, justified" and "Giving cloth to the Osiris, the scribe Nakht".

The scene is that of a large pile of offerings laying on a reed mat, at either side of which is an image of the tree goddess Nut, followed by a bearer of offerings. There is no accompanying text or any indication (i.e. blank columns) that any was intended. The image conveys the reassuring suggestion that the deceased is not dependent entirely on the offerings brought by acts of human piety, but would also receive daily sustenance from a divine source. The whole register forms a colourful composition of considerable beauty.
At first sight this may appear as a strange scene to appear below the false door. However, if the large pile of offerings is considered as being placed in front of it, on the offering stone pictured at the bottom of the register above, then it is ideal.

The display, as already mentioned, is very symmetrical, especially the pile of offerings, with the exception of the three items in the middle of it. Even the offerings being brought by the two men are the same, here the exception being what hangs from below the small table which they hold in their hands.

The goddess Nut is portrayed twice. The Egyptians believed that she would would emerge from the sycamore tree when the soul of the deceased rested in its shade on the journey towards the abode of the dead, and would give it nourishment of refreshing food and drink. Nut is usually portrayed as wood-nymph-like being within the tree, but she is shown here with an emblematic sycamore on her head. She holds in her hands a simple meal of bread, onions, beer and grapes, and three stems of papyrus, which is as much a symbol of vegetation and prosperity as a floral decoration.
Whenever papyrus is used for decorative purposes, either held in the hand (as here), forming columns or even decorating the end of boats, the plant is always shown with the umbel heads, the triangular shaped bloom which appears at the top of the long stem. The papyrus plant can grow to height of more than four metres. Because of the strength of the plant stems and its abundance along the Nile (especially in the Delta) it had many uses, such as boat building, lightweight shelters (i.e. booths) and also the production of the well known writing media.

This is the right-hand end wall on entering this chamber. It has an approximate width of 1.5 metres and a height of just less than 2 metres. Its outer edges slope inwards towards the top, even more on the right than on the left. The bottom dado area, of about 0.2 metres, is undecorated and no colour bands to separate it from the painted image area above.
The imagery of this wall is divided into two registers, the themes of which are both the same. They represent Nakht and Tawy seated on the left, before a pile of offerings, the other side of which are two sub-registers of offering bearers.
The two sides and top of the imagery has been completed only with the coloured border band. The vertical chain or leopard tail design on a black background was never added and the vertical blue corner separating band is also missing (see ). This wall, unlike the one opposite, has no kheker frieze at the top, though space space was left for its production.
To further emphasise the incompleteness of the wall, there are columns which were obviously intended for descriptive texts, but most of these remain empty or the text is only written in draught mode, certainly not in their final colourful detail. Also, in the top register, many features (e.g. hair and eyes) have been drawn in outline but never coloured (again, see ).

A colour photograph of this whole wall, either before of after the introduction of the modern protective glass, does not appear to have been taken by anyone. The reasons for this are uncertain (however, if you have one, we would be pleased if you are willing to share it). The only full actual full view photograph was taken by Davies, nearly a hundred years ago, in black and white, which appears above. Partial colour photographic views are, however, used in the following description of the wall.

In this upper scene, the artistic detail of the couple is unfinished. The couple seem to be seated, side by side, on a bench seat as no front leg of an individual chair appears immediately behind Tawy's leg, which is present in the bottom register. As the imagery here is obviously unfinished, it is possible that could have been inserted later. To compare the two images, see the . From what does exist, the seat has a high curved backrest. In both cases the seat rests on a reed mat.
The hair of the couple has been given no colour and only the outline is created, their eyes have even been left unfinished. There is certainly not the difference seen in their skin tones as that found in some images of the walls discussed so far. Nakht is dressed in his usual short white kilt with the semi-transparent garment over his upper torso and down to his ankles. He has his usual two bracelets and a broad necklace. Tawy wears her tight fitting, full length white dress which reaches to her ankles and even (this time) covers her breast. She has three bracelets on her right arm, whilst her left is hand is placed on Nakht's shoulder. She also has a broad necklace. At the front of her head band is a lotus bud. They each hold a single lotus blossom. Nakht holds his to his nose.
Above them were several columns of text, which were only sketched, not finished in colour. They are now also very faint and damaged. Davies records it as originally describing the couple as "Receiving offerings… [Amon], lord of the sacred places, revered daily.". This is then followed by the usual names and titles of the couple, damaged by the removal of the name of Amon.

The actual contents of the large pile of offerings is now difficult to see, but from Davies' line drawing it can be seen to contain a wide variety of foods and drink. These include breads, meat, fruit and baskets full of blue grapes. Under the table stands tall vessels entwined with long stemmed lotus blossoms.

On the upper sub-register, on the right-hand side, five men approach with flowers and with trays containing a simple meal.

On the sub-register below, a sem-priest dressed a leopard's skin performs the rites of consecration of the offerings, with the traditional gesture. Behind him advance four men, each with a jar of fat and a tapers. From the inscriptions in other tombs, over a similar procession, it shows that on feast days tapers were lighted and fat provided so as "to brighten the path of the place of darkness" for the deceased.

The couple are once again seated in front of a large pile of offerings, similar to the one above. This time, however, the painting is much more complete, with the full design of their seats (the apparently missing leg in the image above is now in view). The seat is of a semi-open design with a high curved back, the top of which is golden in colour. The hair of the couple has its colour and the detail of their eyes is visible. One addition is the bird located in front of Nakht's legs. The two are dressed as previously, but this time Tawy's headband has an open lotus blossom. She holds in her hand a small bunch of flowers, whilst Nakht has a large bunch. It should also be noted that he has a short beard, whereas in the register above he didn't. There is no text in the many columns prepared for it above them.

In this lower scene the pair have their food consecrated by a sem-priest (the figure expunged, almost certainly by those who removed the name of Amon). The four men who follow, two on each of two sub-registers, have the priest's shoulder-sash and bring a wide variety of offerings.

The two priests of the upper sub-register are accompanied by badly written texts in the columns in front of them: the first (left) has "Giving shoulders of beef and severed pieces. To be spoken four times". The second priest has "Doubly pure (are these) for the Osiris, the serving-priest of Amon, Nakht.". (Note that the name Amon has not been removed.) These two priests each bring a leg of meat and a tray of unidentifiable foods.

In the sub-register below, an unfinished text belonging to the second figure began "Making a libation…". This was the only column to contain any text in this register. The first priest brings at least one bird, whilst the one behind him carries a vessel with a spout and a cup from which to drink the contents.