PASSAGEWAY BETWEEN ROOMS A AND B

The main east and west walls of the passageway are set back slightly to accommodate the closure of a door, which originally opened inwards into the second room, being hinged on the right (west) side. The area is approximately 1 metre square, by about 1,75m high.
The west wall, on to which the door opened, has remained undecorated.

East wall of the passageway

Unlike the eastern wall of the main entrance, this wall is only painted and not created in painted relief. The couple face out of the tomb, in front of them is the text of the Hymn to Osiris. Neferrenpet has both arms raised, whilst Mutemwia has only her left raised, in her right she holds a long stemmed papyrus and a large golden menit.
In this area only traces of the black remain, much of the yellow has also disappeared.

Ceiling of the passageway

The ceiling of the passageway between room A and room B is not, as usual, decorated with geometric patterns but with figurative motifs. Unfortunately, much of the ceiling is damaged, but enough survives to reconstruct the general design.
Surrounded by the usual coloured border and ladder band, it is divided down the central axis by a yellow text band, either side of which two image field are placed. In each of the four picture areas, on a yellow background, is the image of a Ba-bird. These Ba-birds are oriented such that both sides face the text band, thus the Ba-birds are oriented head to the south on the eastern side of the ceiling, head to the north on the western side.
The best surviving image is that of the north-west quadrant (), it shows the Ba of Mutemwia, the small white text panel names her as "The mistress of the house, Mutemwia, justified". Each image would have originally held a similar name and title text. The human-headed Ba-bird of Mutemwia wears a female hairpiece with a large perfume cone and lotus-blossom, a headband and red and white earrings.
On the corniced base, at the bottom of each image, is a bread-basket and jug.
All that survives from the cetral text band is a small section at the end (north) "… Amun, Kenro, …".

Room B

The second room is offset from the central axis of the entrance passageway, the north wall being wider on the west side than on the east.
The room is approximately 3 metres long (north to south), 2.6m wide and slightly under 2m in height.
This room is again divided with regard to its decoration. The picture registers and text bands of the dividing and lower borders, of both the east and west walls, wrap around from the northern wall. These separating bands (and the header frieze) are of the same design as those of the first room. Also, the ends of these regions are terminated by vertical bands.
The sky symbols over the picture registers seem devoid of stars in this room. The south wall is given over to a statue niche, its outer edges being a very distinctive design.
At the south end of the west wall is the entrance to the subterranean burial complex.

Room B - east side

There are no major damages to these two walls (east side of the north wall and east wall, ). However, there is loss due to some of the yellow and dark blue areas becoming detached from the wall, which affects most of the text in the upper register and, for example, Neferrenpet's wig in the scene of the adoration of Taweret/Ipet ().

Upper picture register

Starting against the entry passageway, the register contains four scenes of adoration before various gods and goddesses.

The adoration of Anubis is contained totally on the north wall. Neferrenpet stands, with hands raised, before Anubis, in his mummiform appearance, with the head of a jackal and standing on a Ma'at symbol. Between them is a small offering table, beneath which is red bodied vase and a vessel created in a lotus design containing greenery. On top of the offering is a bowl containing three small smoking pots.

In the adoration of Re and Ma'at Neferrenpet and Mutemwia are accompanied by another person, a female who is not named (though it is possible that her name appeared in the text band above them and which has now disappeared). She is portrayed slightly smaller than the couple and her dress is of a simpler fashion to that of Mutemwia. In her left hand she holds a papyrus stem, her right hand is raised as are both hands of the couple before her.
At the other side of an offering table stands Re, with Ma'at standing behind him. Re, like Anubis in the previous scene, has a mummiform body and again stands on a Ma'at symbol pedestal. He has the head of a falcon surmounted by a sun disk around which winds a snake. Ma'at, in a slim white dress, holds an ankh-sign in her hand and wears her feather symbol on her head.

The scene of the adoration of Taweret / Ipet () consists of several elements, starting with the deceased couple, standing with raised hands, in front of a wide inscription field which extends over their heads. The whole of this text area has all but disappeared due to the flaking off of the yellow background.
Following this are two rows of four columns, on top of each are two white candles and a goose (its head hanging down) ; each set of four are placed on a mat. All the stands have suffered from flaking of the dark-blue paint.
Next, the composite goddess Taweret (or Ipet), with her red-brown hippopotamus head and body, and black/white striped crocodile tail. In her raised paw she hold an ankh-sign. On her head she wears a red sun disk with horns, her headdress seems to have suffered from the flaking. She, like the previous gods, stands on a Ma'at pedestal, whilst in front of her stands a yellow vessel.
Finally, behind the goddess, is a very tall bouquet, portions of which also appear to have flaked from the wall.

In the final scene, the adoration of Hathor, the Cow of the West, is unusual in that it occurs outside its normal context, that of being associated with the actual burial. It, along with Taweret from the previous scene, belong to Chapter 186 of the Book of the Dead.
The couple, with their hands raised in adoration, stand in front of an offering table, under which stand two red bodied vessels, around which wind a lotus blossom. At the other side of the table is the mountain of the west, from which appears Hathor, the cow goddess. She stands on a white corniced pedestal, at the front of which is a vessel created in a lotus design. On her head she wears a horned red sun disk, surmounted by a pair of tall feathers, whilst around her neck hangs a menit necklace.
On the side of the mountain is a white, round topped, stela with a black inscription (), also, sticking out from the mountains is the sign for the west with a blue feather and Horus falcon.
Much of this scene has suffered from flaking of both the yellow and the dark-blue.

Middle text band

May you be justified, excellent scribe, that you may join those of the underworld, that you are divine like the nobly transfigured, who are in the presence of those who are awakened unharmed.
That you are contented, as you survive each day as a follower of Horus.
That you may travel downstream to Busiris as a living Ba, northwards, that you may travel upstream to Abydos as a phoenix, southwards.
That you may see Osiris at his festival in the district of Peqer and that you are heard if you call in the necropolis.
For the Ka of the Osiris, scribe of the treasury of Amun, Kenro, justified in the West of Thebes.

Lower picture register

Beginning on the north wall, this picture register has only minimal damage, showing only small traces of the flaking problem which is so obvious in the register above.

The scene of the libation ritual entirely occupies the north wall.
Two scribes of the treasury, dressed as lector priest, perform an act of purification. One stands, holding a large hes-vase in his hands and pours water over an empty offering table. He is named as : "Scribe of the treasury, Na-y".
In front of him kneels the other, "Scribe of the treasury of the house of Amun, Bak-Amun, justified", his arms resting on the offering table.
This scene may have a relationship with the next one, where an offering list is present, but no table.

The scene before the offering list, the first on the east wall, has no offering table, as mentioned previously. This list takes up the full height of the register, which is unusual. It consists of five rows of nine items, all represented by small vessels with the name of the item above it and the quantity below. Thehe bottom row is missing its descriptive text and quantities.
Sitting, facing the list are Neferrenpet and Mutemwia. In his right hand he holds a blue-green sekhem-sceptre, she holds in her right hand the stem of a large lotus blossom, the bloom of which she holds to her nose. Both hold a piece of folded cloth in their left hand.
Mutemwia's legs obscure the back legs of her spouse's chair.

In the scene of the offering to the deceased couple, a bald headed priest stands in front of three columns of text, which extend over his head. With his right hand held in praise, he holds an incense burner and a libation vessel in his left hand.
On the other side of the three columns of text is Neferrenpet and Mutemwia, seated in front of a large offering stand. The stand is unusual, as it is in the form of a Ka hieroglyph supported on a pillar.
The couple are seated under a canopy of bound black reeds, supported at the front by a blue papyrus-shaped pillar with golden fixtures. They both have their right hands raised, he holds a sekhem-sceptre in his left hand, whilst she holds a lotus bouquet.

The scene of the "Opening of the Mouth" takes place with Neferrenpet and Mutemwia standing on a sandy mound. They both have their arms at their sides.
In front of them stands a priest, dressed in plain white, who holds a black ceremonial adze (the implement for the ceremony) in each hand. The one in his right hand, he holds to the mouth of Neferrenpet, his left hand is lowered.
None of the participants wear sandals in this scene.

The scene of the purification ritual again has the couple standing on a sandy mound with their arms at their sides.
This time, the priest standing in front of them wears a leopard skin over his white garment. He holds a purification vessel with both hands, the streams of water pouring over the couple and on to the sand.
In this scene, both Neferrenpet and the priest are bald-headed. This time they all wear white sandals.

Lower text band

May you be raised up on the sand of Rosetau, that you may be unified with the gods in the heavens.
May you be transfigure
… slight damage… may your Ba be divine, in that you are like the gods of the underworld.
The Osiris, scribe of the treasury, Kenro, justified, he says : "Oh gods, Lords of the West, ennead of gods in the necropolis : give me bread together with my Ba in the presence of Wennefer, and give me water because of my name, so that I may survive in western Thebes", the Osiris, Kenro.